Although the career and influence of Russian-American émigré Max Weber (1881-1961) has been widely examined within the United States, this is the first major UK museum show of Weber' s work. It is the first to examine his career and influence within a European context, and the first significant showing of his work in the UK since 1913. The exhibition also includes work by Weber's peers: American émigré photographer Alvin Langdon Coburn, and British painters Vanessa Bell, Frederick Etchells, Roger Fry, Duncan Grant, CRW Nevinson and Wyndham Lewis.
Drawn primarily from the years between World War I and World War II, these graphic posters present a call to Jewish social action. They address a specifically Jewish audience - one that was becoming increasingly aware of its responsibility to play an active role in the events that affected their lives.
Since the release of this traveling exhibition in 2010, more than 60,000 people have viewed it at private galleries, community centers, places of worship, libraries, and universities. The exhibition is comprised of 52 panels, each with a portrait of an individual, a short biography, and an excerpt from an interview with that person about what peace means to them. Programming at each venue centers around the artwork and fosters public dialogue on conflict resolution, tolerance and civic responsibility.
From Bauhaus to butterfly roofs in post-World War II residential architecture, this unprecedented exhibition on midcentury modernism will explore the influential role Jewish architects, designers, and tastemakers played in the formation of a new American domestic landscape during the middle decades of the twentieth century. Guest curator, Donald Albrecht.
PROJECT MAH JONGG delves into the history, traditions and meanings of the game from the 1920s to the present. The exhibition includes early game sets made of bone, Bakelite and bamboo; vintage photographs and advertisements; household items; Chinoiserie; and instructional materials. The exhibit also illuminates mah jongg's influence on contemporary design and art through works by fashion icon Isaac Mizrahi and illustrators Bruce McCall, Christoph Niemann and Maira Kalman.
The show includes lithographs produced by nine artists working in the Leningrad (now Saint Petersburg)-based experimental lithography workshop during the mid-20th century. Ranging widely in style, the prints include idealized scenes of peasant life; delicate illustrations of children's stories and folktales, and colorful, Fauve-influenced still lifes. Also included are works by Anatoli Kaplan depicting Jewish life in Russia and selected illustrations of Sholem Aleichem's Yiddish tales
The powerful emotions of Psalm 68-whether in the service of extolling the prowess of the military in battle or the rejoicing in gladness of peacetime-find a proper receptacle in Rand's paintings. The intense color and black amorphous shapes in some of the canvases echo Surrealist automatic writing; still others feature tantalizing forms that suggest a wide range of images gleaned from an array of sources, including architecture and comic books. Natural, manmade and supernatural elements can also be discerned. Rand's 36 exuberant 12x16-inch acrylic paintings, some with marker or hand-mixed with resins and acids, provide an impassioned foray into ancient perils-both awesome and delightful.
For over 140 years, the Jewish Home of San Francisco has ensured that Bay Area Jewish elderly have a place to call home. The Home's renowned Creative Arts Program enables residents to express their creativity through classes in painting, sculpture, crafts, and ceramics. Special adaptive equipment assists participants who have limited hand mobility. The work of nearly 30 artists is included in the exhibition. Shown here: Layeh Bock Pallant's "Let It Go".
In Hebrew 18 is "chai," meaning life. This exhibition serves as an exploration and a celebration of the lives that Houston-area survivors of the Holocaust have created for themselves. Eighteen portraits by local artist Kelly Lee Webeck and 18 images that document the home space each survivor has created.
This new exhibition tells the story of our community's role in the struggle for freedom for Soviet Jewry. In addition to holding a 20-year daily vigil across the street from the Soviet Embassy, Washington Jews organized rallies and marches, waged letter-writing campaigns to pressure politicians, sent packages and holiday greetings to refuseniks, and visited Jews in the Soviet Union. The exhibition will be presented in two locations: at Washington Hebrew ongregation through April 6, 2014 and at the Jewish Community Center of Greater Washington from September 1-November 24, 2014.
Although Paul and Hedy Strnad perished in the Holocaust, their memory lives on in the form of a letter and Hedy's dress designs, which form the core of this haunting exhibit. The Milwaukee Repertory Theater's costume shop meticulously created with historic accuracy the eight dresses and accessories from the original sketches by using period styles and techniques. Museum staff has collected years of research to give visitors a closer look into the lives of this couple - a story that represents one of the millions of lives extinguished by the Holocaust and the immeasurable loss of talent and creativity.
Jews in the Sunshine State are better known for serving up delicious corned beef on rye than for their work in the fields. However, Jewish Museum of Florida-FIU guests may be surprised to learn that Florida is home to the "King of Citrus," groves three times the size of Manhattan and even sixth generation dairy farmers, all businesses owned and operated by Jews. This exhibition spans nearly 200 years of history. It is comprised of more than 400 photographs and 60 objects, and includes over 250 Florida Jewish families and companies. It will feed your memories and tempt your taste buds, including produce growers, "ma and pa" grocers, gefilte fish distributors, butchers, bakers and world renowned chefs.
The Jewish Museum of Maryland is offering a different perspective on the Battle of Baltimore and its aftermath. This new exhibit follows the life of one of the most interesting characters in the fort, artilleryman Mendes I. Cohen - possibly the most interesting person you have never heard of! Cohen was a soldier, a banker, an adventurer, a politician, a philanthropist, a member of the elite, a member of a persecuted minority, a son of England, a son of Germany, an American patriot, and a proud Jew. The museum has turned the many twists and turns of this real life adventurer into a maze. Visitors follow Cohen from his rescue of the gunpowder during the battle, to his life in the family lottery business, to the struggle to give Jews the right to hold office, to his visit with the Pope, to his journey down the Nile and his status as the first American tourist in Palestine (and that's just the first half of his life!) The exhibit connects Cohen's journey to what was happening to Jews across America, Europe and the Middle East in the early 19th century. Through hands-on experiences and with authentic artifacts and letters, the exhibit explores how Cohen created a personal identity, and it allows visitors to reflect on how they are forming their own identities.
Russian folk dancers and a balalaika player mingle with strutting roosters; Admiral Dewey and a Russian peasant guard a pair of American flags; tennis racquets fan out, a hot-air balloon takes flight, and a circus acrobat performs a horse act while a rocking chair and a Star of David appear side by side. A potpourri of Russian, American, and Jewish motifs, this colorful quilt tells multiple stories.
Through select paintings, this exhibition offers a revealing parallel view of two key Abstract Expressionists. Born one year apart, the female Lee Krasner (1908 - 84) and the African American Norman Lewis (1909 - 79) shared similar family situations and came of age in the economic, social, and historic complexities of the 1930s. They formed their creative identities in the artistic and cultural ferment of New York City that was to catapult it to the center of the art world after World War II. Each experimented with approaches that joined abstraction and cultural specificity. Their work similarly brims with gesture, image, and incident, yet was often overlooked by critics in their time.
Derived from a Talmudic parable, the term Pardes - meaning ‘orchard' in Hebrew - has come to symbolize the realm of esoteric practice. The exhibition brings together four Israeli sound and multimedia artists who have created works that investigate notions of mysticism, heresy and the occult from secular perspectives, as they relate to contemporary society. Guest curator: Liora Belford. At Koffler Gallery | Artscape Youngplace, 180 Shaw Street, Toronto.
Wardlaw is known for large format paintings and sculptures that exude powerful force, energy and color. Born in Baldwyn, Mississippi 87 years ago, he converted to Judaism in the mid-1950s. This exhibition explores the artistʼs spiritual and artistic journey, and includes historic works from his "Ten Commandments" and "Ten Plagues" series. A large sculpture, titled "Sabbath/Creation," anchors the exhibition in the Museumʼs Spiegel Gallery. Recipient of a prestigious Pollock-Krasner Foundation Grant, Wardlaw for many years chaired the art departments at Yale University and at UMASS Amherst. "Foremost," he has said, "I wanted to make work that might cut across diverse religious boundaries and reveal a common spiritual concern and work that crossed contemporary with cultural history."
A powerful new cinematic offering from renowned Israeli artist Yael Bartana, Inferno centers on a replica of Solomon's Temple currently being constructed by a Neo-Pentecostal Church in São Paulo, Brazil. In just 18 minutes Inferno implodes traditional concepts of place, time and belief. Bartana combines real events with a "pre-imagining" that is sure to inspire a flood of questions and spark debate around topics such as creation, ritual, memorialization and commercialization. With its rich pageantry, stylized costuming and references to epic Hollywood blockbusters, Inferno has been referred to as a "visual feast."
The mikveh pool is a vessel that contains water collected to hold human bodies - each one the vessel of a unique, sacred life. The container itself is not sacred - the intention makes it so. Mayyim Hayyim itself is a vessel, too: a space where songs and laughter echo, where tears and sighs settle in quiet safely. The cups and bowls, pots and pitchers in this exhibit express two very different artistic points of view, the purist and the iconoclast. What they share, however, makes this show one of the most interesting the Mayyim Hayyim gallery has yet presented.
Discover the rich history of Oświęcim, Poland-the town the Germans called Auschwitz-through photographs that trace the life of the town and its Jewish residents, from the 16th century through the post-war period.
There are people whose contributions to baseball history went far beyond mere batting averages or stolen bases. They didn't just play the game, they changed the game. For generations of American Jews and other minorities, they served as athletic, cultural, and ethical role models. This groundbreaking new exhibition highlights these game changers and--just as importantly--the fans, ideals, and culture they inspired.
Sephardic Jews descend from Jews who were expelled from Spain during the Spanish Inquisition. Many of them settled in Jewish communities throughout the Ottoman Empire and along the Mediterranean Sea. They lived peaceably there for centuries, until the lure of better opportunities brought some Sephardic Jews to the United States. Portland's Sephardic community traces its origins to a small group of young men who immigrated first to Seattle from the Isle of Rhodes and Turkey and came to Portland around 1910. The stories of these first arrivals form a backdrop in which to explore the history and culture of Sephardic Jewry as it relates to Portland's Jewish community. The exhibit explores the historical, cultural, social and spiritual traditions of this small but fascinating community and examines its place as an integral part of the larger Jewish and general communities. In collaboration with Congregation Ahavath Achim.
This illuminating series of photographs from award-winning photographer Judah Passow consists of images from a year spent photographing Scotland's vibrant Jewish community. Spertus Institute 7th floor.
More than 70 years after its horrors unfolded, the Holocaust still has stories to reveal and lessons to share. One of those stories is how the Nazi regime in Germany issued a March 1933 decree that limited and ultimately barred all Jewish judges, public prosecutors and lawyers access to the courts. The exhibition reflects a time in Germany when individual rights and the rule of law were utterly neglected. Many non-Jewish German lawyers kept silent. Most did not even try to help their colleagues. The Vilna Shul is pleased to support this compelling international exhibition, presented by the German Federal Bar in conjunction with the American Bar Association, and being shown at the John Joseph Moakley U.S.Courthouse.
Aaron David Gordon (1856 - 1922), commonly known as A. D. Gordon, an early and influential Zionist, was one of the founders of Hapoel Hatzair (The Young Worker), a group active in Palestine in the first decades of the 20th century. This sculpture, created for the YU Museum Sculpture Garden, pays tribute to Gordon by merging motifs evoking the modern agricultural process and the language of ancient structures. Integrating shapes drawn from 20th-century farming equipment with designs based on biblical-era forms, the artist celebrates the longstanding tradition of physical labor within Israeli society.
From the 1920s through the 1960s, the Catskill Mountains, within easy driving distance of New York City, were a popular vacation destination for millions of Americans, many of them Jews. Known as the Borscht Belt, the resorts of Sullivan and Ulster County combined recreational activities with nighttime entertainment - especially stand-up comedy, which was born in the region's theaters and showrooms. At its peak during the post-WW II era, the region known as the Borscht Belt sustained more than six hundred year-round hotels, as well as over a thousand bungalow colonies and summer camps. In this series of beautiful, richly textured, large-scale photographs, complemented by original memorabilia, Marisa Scheinfeld documents the dramatic degradation of some of the most famous Borscht Belt hotels: ghostly remnants of the glory years; powerful evidence of nature's claim on the resorts and their landscapes; and new uses to which the spaces have been put in recent years. Image: Coffee Shop, Grossinger's Catskill Resort and Hotel, Liberty, NY, 2011.
The exhibition celebrates the singular vision of one of the most influential portrait photographers of the twentieth century. Over the course of nearly seven decades, Arnold Newman (1918-2006) created iconic images of some of the most prominent innovators, celebrities, and cultural figures of his time. Martha Graham, Phillip Glass, Marilyn Monroe, Grandma Moses, Salvador Dali, Paul Auster, and Pablo Picasso are only a few of his celebrated sitters. This first posthumous retrospective of the photographer's work features over 200 vintage black and white photographs including Newman's most famous portraits, as well as numerous works never before shown publicly.
It's a simple truth. People are different. Throughout history, these differences have been a source of community strength and personal identity. They have also been the basis for discrimination and oppression.The idea of "race" has been used historically to describe these differences and justify mistreatment of people and even genocide. Today, contemporary scientific understanding of human variation is beginning to challenge "racial" differences, and even question the very concept of race. Developed by the American Anthropological Association in collaboration with the Science Museum of Minnesota, this is the first national exhibition to tell the stories of race from the biological, cultural, and historical points of view, offering an unprecedented look at race and racism in the United States.
"Propaganda is a truly terrible weapon in the hands of an expert," wrote Adolf Hitler in 1924. Organized by the United States Holocaust Museum, State of Deception examines the Nazis' keen understanding of mass communications and how they manipulated it in their quest to acquire power.
An exhibition that explores real and imagined places and their role in our human experiences. It features work by Monica Aiello (here), Adam Bateman, Melissa Furness, Paul Michel, Michal Ronnen Safdie. Co-curated and produced by Mizel Museum and Denver Arts & Venues. At Buell Theatre, Denver Center for the Performing Arts.
SukkahPDX is an annual juried outdoor design competition held in Portland, OR, at OJMCHE and this year in partnership with Mittleman Jewish Community Center. Artists and design teams submitted proposals to build temporary livable outdoor structures, called sukkahs, which are constructed worldwide every year in observance of the Jewish harvest holiday of Sukkot. Exhibit is open to the public from dawn until dusk.
Multi-media visual artist Hanan Harchol mines personal family psychodynamics to illuminate the complexity of ethical values in contemporary life. This project consists of animated shorts and graphic novels, combining thousands of years of Jewish wisdom on topics such as apology, forgiveness, gratitude, love, fear, humility, and others, in an artful way. The goal of the project is to distill these relevant and very human Jewish teachings in a vehicle that is accessible, entertaining, funny, and fresh. Located in the Sabes JCC Shared Walls Exhibition Areas.
This exhibit features more than a dozen uniquely crafted tzedakah boxes from individual and collaborating Twin Cities artists. They explore an array of materials and various aspects of the tzedakah concept. The exhibit is planned in conjunction with a special tzedakah box commissioned in memory of David Tychman, after whose family the gallery is named, created by local mixed-media artist, Jody Winger. Other participating artists include Josh Awend & Robyn Awend / Sonya Berlovitz / David Feinberg / Mimi Fisher & David Harris of Rimon: The Minnesota Jewish Arts Council / Bonnie Heller / Emily Isenberg / Jay Isenberg & Lynda-Monick Isenberg / Larry Pepper & Dana Yugend Pepper / Paula Leiter Pergament / Alexander Tylevich / Liba Zweigbaum Herman / Sharon Zweigbaum. Winger's tzedakah box will be permanently installed in the Tychman Shapiro Gallery. Once the the exhibit concludes, the other boxes will be donated to organizations throughout the community.
Hollywood's film history is a Jewish and an American story alike. This exhibition highlights the émigré actors, directors, writers, and composers who were refugees from Nazi persecution in Europe. Among these luminaries were Otto Preminger, Billy Wilder, Franz Werfel, Erich Wolfgang Korngold and Franz Waxman. Through film footage, concept drawings, costumes, posters, photographs, and memorabilia, it explores the origins of their exclusion from the German film industry and focuses on their subsequent contributions to American cinema and culture, particularly in the genres of the anti-Nazi film, exile film, film noir, and comedy.
Complementing Light & Noir: Exiles and Émigrés in Hollywood, 1933-1950, The Noir Effect explores how the film noir genre gave rise to major contemporary trends in American popular culture, art, and media. Featured artists include Bill Armstrong, Ronald Corbin, Helen K. Garber, David Lynch, Karina Nimmerfall, Jane O'Neal, Alex Prager, Rouse & Jones, Ed Ruscha, and Cindy Sherman. Focusing on key noir elements such as the city, the femme fatale, the antihero, and moral codes, the exhibition looks at cult films such as Chinatown (1974) and Brick (2005); graphic novels and comics, including Luke Cage Noir and Spider-Man Noir; children's books and games; and art and photography. Participatory gallery activities, including an opportunity to write noir narratives and try on character costumes, encourage you to reinvent noir for yourself!
This immersive installation by Austrian artist Isa Rosenberger (b. 1969) transforms the Skirball's Ruby Gallery into a setting reminiscent of a Viennese café house from the early twentieth century. Café houses played a crucial role in the lives of female artists and writers as places for debate, networking, and inspiration while they were struggling for political and artistic recognition. The installation commemorates the cultural history and impact of these cafés, while encouraging visitors to engage in new, creative discussions over coffee and food provided by Zeidler's Café.
Warren Hellman (1934-2011) was an investment banker, philanthropist, musician, and music enthusiast who believed in the importance of community arts. He may now be best recognized for the Hardly Strictly Bluegrass Festival (HSB), which he founded in 2001. Held annually in Golden Gate Park, the free festival draws more than 700,000 people. The exhibition centers on film footage from HSB's archive of live performances-making hundreds of hours available to the general public for the first time. Also included: resonant personal objects like Hellman's Star-of-David rhinestone studded jacket and signed banjo. Hellman was a distinctly San Franciscan iconoclast and uniquely Jewish figure.
Co-presented with Reboot, this interactive installation allows visitors to contribute their own Six-Word Memoir to a live stock ticker on view in the lobby of The CJM. Take a seat on our Arne Jacobsen swan sofa and use Twitter on your smart phone to instantly add your Six-Word Memoir to the live feed. The Reboot installation on Jewish life is based on SMITH Magazine's Six-Word Memoirs, a project inspired by Ernest Hemingway's legendary shortest of short stories, "For sale: baby shoes, never worn." This succinct form has become a powerful tool to catalyze conversation, spark imagination, or simply break the ice.
Based on the Talmudic study principle of havruta-the study of religious texts by people in pairs-In That Case at The CJM encourages learning through fellowship for Bay Area artists, established professionals, museum staff, and the entire CJM community. Capitalizing on the unique Jewish perspective, inherent to The Museum, this program will take the practice of havruta and repurpose it for the contemporary art community. Each local artist invited to participate in In That Case will be given the opportunity of working with an established writer, scientist, thinker, or academic in a field of their choosing. The resulting collaborations will be presented in the Sala Webb Education Center. Featured artists: Lindsey White (Oct. 23), Helena Keefe (Jan. 22), and Anthony Discenza (Apr. 30).
The inaugural exhibition in the newly expanded Derfner Judaica Museum uses approximately 250 objects to explore the intersections of Jewish history and memory as they inform individual and communal identities. Among the featured objects: a silver filigree kiddush cup, ca. 1911; an early copper alloy Hanukkah lamp; from the famed Bezalel School; a set of 18th century Torah implements from Meerholz, Germany; and a velvet fish-scale embroidered matzah cover from turn-of-the-century Jerusalem.
From the first Sephardic family that settled Natchez in the late 1700s to the height of Jewish trade and business in the 1800s and the construction of the second temple in 1905, the exhibit documents the history and everyday life of Natchez's Jewish families. Extensive use of historic Henry C. Norman and BIll Aron photographs make this exhibit a fascinating cultural study. Tours are conducted year-round by appointment. Please call the Museum at (601) 362-6357.
Through oral history interviews, photographs, and archival sources, this online exhibition explores Jewish women's organization of British Columbia. It charts the history of Hadassah/CHW, Na'amat, and National Council of Jewish Women. These very dedicated volunteers made significant contributions to the city, the province, and the world. While Hadassah/CHW and Na'amat raised funds for healthcare and education projects in Israel, National Council assisted new immigrants, children, and the elderly her in BC. Through their work, these women pushed the boundaries of so-called "women's work", playing out the ambiguities that arose in the years after the Second World War in the form of Second Wave Feminism.
More than 500 photos and artifacts depict the Jewish experience in Florida since the 18th century, with thematic presentations on community development, discrimination, earning a living, identity, and immigration - the acculturation process to which people of all backgrounds can relate. Personal artifacts, films, photos, timeline and contemporary art attract a universal audience and provide an engaging, up-close museum experience.
The Synagogue Speaks is an original multi-media exhibition in the newly-restored Lloyd Street Synagogue. The Synagogue Speaks tells the story of the landmark synagogue and the three immigrant congregations--two Jewish and one Roman Catholic--that occupied it.
The area surrounding the Jewish Museum of Maryland was the center of immigrant Jewish life in Baltimore in the early 1900s, but today only a few remnants of its Jewish past survive. This exhibition chronicles a place of constant change, where people of different backgrounds lived, worked, created community-and came together in the renowned Jewish market known as Lombard Street.
According to the oral tradition, the Roman emperor Titus, after capturing Jerusalem in September 70 CE, was transporting many Jews to Rome as slaves when his ship was driven by a storm onto the Albanian coast. Instead of throwing his captives into the sea, he allowed them to disembark, and they eventually made their way to the area in which loannina later was established. This exhibit marks the century since Ioannina was incorporated into the Greek state.
A visitor center and permanent exhibition at the Museum at Eldridge Street on New York's Lower East Side integrates Judaica, Yiddish signs, other artifacts, and interactive media displays to tell the story of the 1887 Eldridge Street Synagogue and the immigrant community from which it emerged.
To honor the Holocaust survivors who have volunteered their time over the past thirty years to share their painful WWII experiences at the Museum of Tolerance, the MOT engaged Pulitzer Prize-winning photographer Marissa Roth to photograph each of these ambassadors of memory, hope and tolerance.
Inspired by the ancient flood story, which has parallels in hundreds of cultures around the world, this multi-sensory indoor and outdoor attraction invites visitors to board a gigantic wooden ark and to play, climb, build, discover, problem-solve and collaborate alongside handcrafted, one-of-a-kind animals. An innovative, delight-filled destination for children and families of all backgrounds.
The exhibit explores the continuing impact of the most widely distributed antisemitic publication of modern times. Despite countless exposures as a fraud, the myth of a Jewish world conspiracy has retained power for Nazis and others who seek to spread hatred of Jews. Technology has now made the Protocols available via the Internet; it continues to be circulated by those promoting violence, and even genocide.
This exhibition reveals how the Nazi Party used modern techniques, new technologies and carefully crafted messages to sway millions with its vision for a new Germany and to drive the world into a war that cost some 55 million lives, including six million Jews. It includes rare posters, photographs, artifacts, and film documenting the pivotal role of propaganda in the Nazi effort.
Jewish art and history museums, historic sites, historical and archival societies, Holocaust centers, children's museums, synagogue museums, community centers, and university galleries · the professionals and volunteers who work in them · the children, adults and families who visit them · the patrons who support them · the organization that keeps them vital.