If you love baseball, you won't want to miss this pop-up exhibit from the National Museum of American Jewish History in Philadelphia! Chasing Dreams weaves together America's favorite pastime and national identity with the story of American Jewish immigration and integration. It features an exciting array of films, including historic game footage and photos, as well as a database of American Jewish ballplayers.
More than 60 million people are without a permanent country to call home. These refugees have fled their homelands because of war or persecution. Through photography, music, and dance, Sanctuary & Sustenance tells the story of their journeys. Focusing on Bhutanese refugee resettlement in Pittsburgh from 2014-2016, Sanctuary & Sustenance features images by photojournalist Julia Rendleman. Her compositions trace the journey during catastrophic events of displacement, the path to sanctuary, and the process of rebuilding life in Pittsburgh. The project includes a multimedia projection comprised of images and music documenting the lives of people from around the world forced to flee their homes.
The exhibition brings together three major twentieth-century photographers - Wolfgang Suschitzky, Dorothy Bohm and Neil Libbert - presenting their artistic responses to three great world cities across three crucial decades. Today, London, Paris and New York are so familiar that it is hard for a modern viewer to imagine them afresh without the visual expectations fostered by art, film and advertising in the digital age. Yet when each of these photographers arrived at their respective destinations, they found cities that were strange and new to them and responded by photographing them without prejudice or expectation. The photographs reveal that all three cities were not only places of social division and political tension, but also of beauty and magic. The exhibition includes many works never previously exhibited in the UK, and each series presents an opportunity to view an aspect of the work of a renowned photographer in real depth.
The exhibition, on view in the Elma and Milton A. Gilbert Pavilion Gallery, addresses themes of personal history, geographical dislocation, identity, and intellectual freedom and features work by eight artists originally from Eastern Europe: Maryna Bilak,Alina and Jeff Bliumis, Yevgenia Nayberg, Eva Nikolova, Peter Sís, Diana Shpungin, Leonard Ursachi.
Richard McBee draws equally from what is read and what is seen. His rich and deep knowledge of the Bible and rabbinic commentaries (midrash) and of the history of art provides the wellspring of his art and enrich contemporary viewers' understanding of the difficult stories he sometimes chooses to represent in his paintings. The 24 x 24-inch canvases in his Sotah Series and The Story of Asenath series focus on women and, for the most part, take place in settings identifiable through simple visual clues: an execution yard; a patriarch's bedroom; a synagogue, or an apartment block. These narrative works, postmodern, hark back to the way in which stories are told sequentially in the ancient wall paintings at the synagogue at Dura Europos or by Giotto at Padua. Yet, with their pastiches and visual quotations, they offer the familiar intermingling of present and past in Jewish history and tradition
Is overcoming evil an active or passive process? Are we "delivered from evil" by a higher power? Must individuals in any society engage in a direct, adversarial struggle to quell wrong and establish right? The artists in this exhibition (nearly fifty of them, including Judy Chicago, Archie Rand, and Arthur Szyk) understand that evil is not a cosmic accident. They address with clarity and passion the many faces of inhumanity; and, like many of us, they have a vision of how to proceed: Less rhetoric. More action. It is up to each and every one of us to wage war on evil.
Lamed Vavniks are 36 ordinary people whose inherent purity of spirit empowers them to rescue humankind from ultimate destruction. They appear in the Book of Genesis, which describes the destruction of two sin-ridden cities, Sodom and Gomorrah. God informs Abraham that God will save Sodom if presented with ten righteous men. Legend says that at all times there are thirty-six people, known in Yiddish as the lamed vavniks, whose good works protect humankind from disaster. Peter Leventhal imagines the lamed vavniks as regular people in his own life. His relatives, Mexican neighbors, and ordinary people with whom he has come into contact are featured among his paintings. Leventhal's work confirms that it is the average people in the world, who keep it in peace and in motion, without whom our world would be a much darker place.
Holocaust Museum Houston will mark its 20th year of teaching the dangers of hatred, prejudice and apathy with an exhibit 20 years in the making with the help from children across the world that commemorates the 1.5 million children who died in the Holocaust. Since 1995, children from every continent except Antarctica have brought or sent handmade butterflies to the Museum as part of "The Butterfly Project," an effort to collect 1.5 million handmade butterflies to commemorate each of those children who perished. Beginning Feb. 12, 2016, a selection of those inspiring creations go on display at the Museum in one of the most important art exhibitions ever displayed as part of "Taking Flight: The Butterfly Project."
Holocaust artist Samuel Bak creates an astoundingly complex, beautiful and richly colorful journey for viewers in his newest exhibit, which includes a selection of 33 works by the artist. Letters from the word H·O·P·E. appear in various phases of the paintings, some partially hidden, others fragmented, some large, others small. The paintings in this series do not attempt to illustrate the atrocities of the Holocaust, yet they show viewers the destruction, ruin and sadness left in its wake. Bak has said, "The call to create art - and indeed to respond creatively to its power - allows us to find hope even in shattering despair."
PROJECT MAH JONGG delves into the history, traditions and meanings of the game from the 1920s to the present. Since the 1920s, the game of mah jongg has ignited the popular imagination with its beautiful tiles, mythical origins, and communal spirit. Come learn the history and meaning of the beloved game that became a Jewish-American tradition. Jewish Museum Milwaukee is excited to bring this acclaimed traveling exhibit for its Midwest debut. This exhibit was curated and circulated by the Museum of Jewish Heritage-A Living Memorial to the Holocaust, New York.
Hollywood films in the three decades after WWII portrayed 4,000 years of Jewish historical identity and, in some of the biggest box office hits of all times, transformed the image of the Jew from embattled to triumphant. Featured are flamboyant posters and bold advertising materials for films such as Exodus (1960) and The Ten Commandments (1956). On loan from Hebrew Union College-Jewish Institute of Religion. Curated by Curated by Laura Kruger.
Susan Miller "sees" through stone. She has the ability to perceive and reveal through the density of weighty blocks of marble. The subjects of the pieces on display are names from history, mythology and the Old Testament, like Solomon, Moses and Job, Leah, Hannah, and Ruth. The Biblical passages, poetry, and prose that accompany the works serve as inspiration and are further invitation to reflect.
The first museum exhibition to focus on the influential American fashion designer, artist, and entrepreneur. While best known for his clothing design, Mizrahi's creativity has expanded over a three-decade career, moving beyond fashion to embrace acting, directing, set and costume design, writing, and cabaret performance. Spanning his first collection in 1987 and running through the present day, Isaac Mizrahi: An Unruly History weaves together the many threads of Mizrahi's prolific output, juxtaposing work in fashion, film, television, and the performing arts.
The Jewish Museum presents the first comprehensive exhibition in the United States dedicated to Roberto Burle Marx, one of the most prominent landscape architects of the 20th century. See over 100 works from the artist's 60-year career, including garden plans, paintings, sculpture, jewelry, and a magnificent tapestry.
Engaging a spectrum of professional and amateur narrators to populate audio tracks delivered via bicycle-mounted speakers, the Canadian-American PED Collective has created three audio bike tours through Toronto's West Queen West area that examine the city's shifting identities, multi-faceted realities and imagined potentials.Converted into the PED Station and Museum, the Gallery becomes a bicycle terminal and information hub with multimedia displays featuring a retrospective of past PED projects and a live feed observation centre that extends the outdoor experience and interactive engagement with the city. At Koffler Gallery | Artscape Youngplace, 180 Shaw Street.
Artists Yona Verwer and Cynthia Beth Rubin weave together the stories of the past and present in layers of paint, photographs, video and recordings. Their project consists of digital prints, acrylic paint and augmented reality on canvas, with imagery reflecting the former Jewish immigrant neighborhood of New York's Lower East Side and synagogues throughout Europe. Using an iPad, the viewer triggers videos embedded in signs and motifs, such as zodiac-adorned shuls or city fire escapes, embarking on a discovery process of the layered history in each. Framed works depicting motifs and manuscripts from the Brussels Synagogue and the Marseilles Bible are also among the works in the show, each layered with the artists' skills to finesse and highlight places that are left after years of settlement and diaspora. One focused on geometric patterns, the other imagined relatives sitting on city stoops on hot summer nights. This diversity of response is what made the collaboration so successful and interesting to observe.
Based on an exhibition originally installed at the Stadtmuseum in Berlin in 2013, Stolen Heart illustrates the Aryanization, or forced transfer, of Jewish property into non-Jewish hands. Berlin's central district "Mitte" serves as an example of how the Nazis appropriated Jewish property throughout Germany and German-occupied areas during World War II. The stories of five specific families illustrate how stores and factories were forcibly taken from the Jews and used by the Nazis for other purposes, including the production of the yellow stars that Jews were required to wear and as storage for "degenerate art." A three-dimensional projection of a map of Berlin shows the city's development during the Weimar Republic, the pre- and post-World War II periods, the period of division by the Berlin Wall, and the present. Over 200 originally Jewish-owned properties remain highlighted to show the role they played in the city's development after they were stolen.
This collaborative exhibit is influenced and informed by husband and wife, Sondra and Jamie, having studios in the same building, attached to the house they have lived in for over thirty years. Over the last six months, they have focused on the intersections in their thinking and how they play off each other in their work. They each visit the other over the course of the day, share conversations ... then go back to making.
Black-and-white photographs by Norman Gershman illustrate how an altruistic, positive relations between Jews and Muslims resulted in the rescue of approximately 2,000 Jews during the Holocaust. Besa is a code of honor deeply rooted in Albanian culture and incorporated in the faith of Albanian Muslims.
This exhibition explores the momentous and tragic events surrounding the murder of 13-year-old Mary Phagan in Georgia in 1913 and the lynching of Leo Frank, the Jewish factory superintendent accused of her murder. The case has sparked more than a century of debate. Seeking Justice brings new insights to the events that led up to these murders, as well as the granting of a posthumous pardon for Leo Frank in 1986. Set against the backdrop of the American South, Seeking Justice examines racial, religious, regional, and class prejudices in the early 20th century. The case, which shook the nation, galvanized the Anti-Defamation League and revived the Ku Klux Klan. The exhibition represents more than 20 years of research and collecting of archival materials.
In 1939, Paul Strnad wrote to his American cousin seeking help for him and his wife Hedy to escape Nazi-occupied Czechoslovakia. Nearly 60 years later, the Strnad family discovered the letter in their basement, along with a packet of Hedy's dress designs. Hedy and Paul Strnad did not survive, but their story is brought to life through the contemporary creation of Hedy's designs and the piecing together of this couple's history.
Beginning in the 1880s, thousands of Jewish immigrant families created agricultural communities in fields from the Ottoman Empire to Canada, and Argentina to Kansas. Those who tilled southern New Jersey soil did so in rural farmland dotted with orchards and canneries, but close to cities that bought their eggs, poultry, milk - and tomato soup. Come learn the stories of the hardy immigrants who chose an unexpected vocation in a new land.
The exhibit presents a remarkable vision of Roosevelt-Era social and political culture through the lens of photojournalist Katherine Joseph. Joseph was born in Odessa and immigrated with her family to the United States in the early twentieth century. After a childhood in El Paso and Chicago, she demonstrated a determination and independence remarkable for the time by moving to New York City to pursue her passion for photography. Joseph's images eloquently capture the New Deal era. As a staff photographer for the International Ladies Garment Workers Union, Joseph documented the golden age of organized labor, photographing workers, union leaders, and progressive political celebrities of the day, including New York's beloved Fiorello LaGuardia, President Franklin Roosevelt, Eleanor Roosevelt, and even a young Frank Sinatra. Her photos were published in the U.S. and Mexico, both in the press and in the ILGWU newspaper, Justice. This is the first dedicated public exhibition of Joseph's photography in the U.S.
The Jewish Artists' Laboratory, a regional arts initiative engages five Midwest cities and over 75 artists; Minneapolis, Milwaukee, Madison, Chicago & Kansas City. The Minneapolis Lab, through the Sabes JCC, brings together over 36 artists' work that represent an array of artistic media and Jewish content, each exploring a unique connection to this year's theme of Wisdom. Now in its fourth year, the Lab meets regularly, promoting ongoing dialogue and providing a platform for artwork through its many stages. Together artists of varying artistic media and connections to Judaism explore how the theme of Wisdom is relevant to their work, as individuals and to the community. On display in Sabes JCC's Tychman Shapiro Gallery & Shared Walls Exhibition Areas
There are people whose contributions to baseball history went far beyond mere batting averages or stolen bases. From Hank Greenberg and Sandy Koufax to Joe DiMaggio, Jackie Robinson, Roberto Clemente, Fernando Valenzuela, and Ichiro Suzuki, these are players who didn't just play the game-they changed the game. For generations of American Jews and other minorities, they served as athletic, cultural, and ethical role models. Chasing Dreams: Baseball and Becoming American celebrates baseball and highlights the role of baseball's game changers-not only major league players but also vendors, team owners, minor leaguers, amateur players, scouts, broadcasters, journalists, novelists, and fans-who challenged the status-quo and inspired the nation.
In a series of colorful, captivating, and often provocative paintings, Los Angeles artist Ben Sakoguchi (b. 1938) examines how the game of baseball, which has long been referred to as America's national pastime, reflects the highs and lows of American culture. Through this body of work, Sakoguchi creates a "people's history" of baseball, telling true stories of players and communities that have been overlooked or forgotten and retelling the tales we think we already know.
We are delighted to announce the opening of a new exhibit in the Wyner Museum that will illustrate the many ways Rabbi Friedman has shaped our lives and community. Throughout the coming year, we are going to honor Rabbi Friedman with opportunities to worship alongside, learn from, and celebrate with others who have shared time with him, illustrating the breadth of his rabbinate and what he has meant to each of us. We have set up a video kiosk in the Wyner Museum for congregants and friends to have the opportunity to leave a brief video message for Rabbi Friedman.
In this personally expressive and historically resonant exhibition, contemporary printmaker and book artist Lynne Avadenka engages in a visual dialogue with Rahel Bluwstein, one of the most important poets of pre-State Israel. Through color etchings, a folding screen and a multi-media installation, Avadenka responds to the imagery of Rahel's poetry and to the landscape the writer lived in and loved in the Galilee, Tel Aviv and Jerusalem. Translating the poet's language into visual imagery, Avadenka invites us to feel the emotion of beholding new settings for the first time and to experience the process through which an artist or poet is inspired to transform physical surroundings into art. The exhibition also incorporates photography and ephemera from the early 20th century, overlapping with Rahel's life in Israel. How a Poem Begins weaves together themes of artistic inspiration, women's creativity and the combined power of and dialogue between words and images.
Stanley Kubrick exerted complete artistic control over his projects; in doing so, he reconceived the genres in which he worked. The exhibition covers the breadth of Kubrick's practice, beginning with his photographs for Look magazine taken in the 1940s, and continuing with his directorial achievements of the 1950s through the 1990s. His films are represented through annotated scripts, production photography, lenses and cameras, set models, costumes, and props. In addition, the exhibition explores Napoleon and The Aryan Papers, two projects that Kubrick never completed, and the technological advances developed by Kubrick and his team.
Recognized as one of the most influential concert promoters in history, Bill Graham launched the careers of countless rock & roll legends in the '60s at his famed Fillmore Auditorium. He conceived of rock & roll as a powerful force for supporting humanitarian causes and was instrumental in the production of milestone benefit concerts such as Live Aid (1985) and Human Rights Now! (1988). As a promoter and manager, he worked with the biggest names in rock, including the Grateful Dead, Jefferson Airplane, Jimi Hendrix, Santana, Led Zeppelin, and the Rolling Stones. Through rock memorabilia, photographs, ephemera, and psychedelic art in the form of Fillmore concert posters, the exhibition will explore the momentous cultural transformations of the '60s, '70s, and '80s through the lens of rock & roll. Organized by the Skirball Cultural Center, Los Angeles.
Warren Hellman (1934-2011) was an investment banker, philanthropist, musician, and music enthusiast who believed in the importance of community arts. He may now be best recognized for the Hardly Strictly Bluegrass Festival (HSB), which he founded in 2001. Held annually in Golden Gate Park, the free festival draws more than 700,000 people. The exhibition centers on film footage from HSB's archive of live performances-making hundreds of hours available to the general public for the first time. Also included: resonant personal objects like Hellman's Star-of-David rhinestone studded jacket and signed banjo. Hellman was a distinctly San Franciscan iconoclast and uniquely Jewish figure.
Co-presented with Reboot, this interactive installation allows visitors to contribute their own Six-Word Memoir to a live stock ticker on view in the lobby of The CJM. Take a seat on our Arne Jacobsen swan sofa and use Twitter on your smart phone to instantly add your Six-Word Memoir to the live feed. The Reboot installation on Jewish life is based on SMITH Magazine's Six-Word Memoirs, a project inspired by Ernest Hemingway's legendary shortest of short stories, "For sale: baby shoes, never worn." This succinct form has become a powerful tool to catalyze conversation, spark imagination, or simply break the ice.
Sacramento-based artist Dave Lane's Lamp of the Covenant, a ninety-foot long, 12,000-pound installation, suspended overhead as visitors enter The Contemporary Jewish Museum (The CJM). Lane's work is the first major commissioned installation to appear in The CJM's Koret Taube Grand Lobby. The artist's body of work mixes recycled and sculpted steel, old tools and Edison bulbs, globes and utensils in an astonishingly modern way. Chief Curator Renny Pritikin, who commissioned the installation for The CJM, says, "When I first saw Dave's work in 2006, I was blown away. I had never seen anything quite like it in my life." Lamp of the Covenant ties in themes celebrated in Lane's body of work, including the ideas of creation, how the lamp signifies the presence of the divine, and how light embodies the human relationship with the cosmos.
In 1940, all Jewish residents of Efringen-Kirchen in Southern Germany were deported to France and then sent on to Auschwitz. German-American artist Trimpin's Pour Crever commemorates the seventy-fifth anniversary of these tragic events. In this installation of suspended water tanks, a computer-controlled mechanism developed by the artist releases sheets of water which spell out the names of the deported residents of his town; they fall through space and disappear forever into the pool below.
Based on the Talmudic principle of havruta-the study of religious texts by people in pairs-In That Case at The CJM repurposes the practice by pairing visual artists with established professionals in another field of their choosing. San Francisco-based artist Jenny Odell and stylist and window designer Philip Buscemi partner on The Bureau of Suspended Objects, an investigation into the ways we invest and divest values into and from material goods, and ultimately, into the powers of visual merchandising.
The inaugural exhibition in the newly expanded Derfner Judaica Museum uses approximately 250 objects to explore the intersections of Jewish history and memory as they inform individual and communal identities. Among the featured objects: a silver filigree kiddush cup, ca. 1911; an early copper alloy Hanukkah lamp; from the famed Bezalel School; a set of 18th century Torah implements from Meerholz, Germany; and a velvet fish-scale embroidered matzah cover from turn-of-the-century Jerusalem.
From the first Sephardic family that settled Natchez in the late 1700s to the height of Jewish trade and business in the 1800s and the construction of the second temple in 1905, the exhibit documents the history and everyday life of Natchez's Jewish families. Extensive use of historic Henry C. Norman and BIll Aron photographs make this exhibit a fascinating cultural study. Tours are conducted year-round by appointment. Please call the Museum at (601) 362-6357.
Through oral history interviews, photographs, and archival sources, this online exhibition explores Jewish women's organization of British Columbia. It charts the history of Hadassah/CHW, Na'amat, and National Council of Jewish Women. These very dedicated volunteers made significant contributions to the city, the province, and the world. While Hadassah/CHW and Na'amat raised funds for healthcare and education projects in Israel, National Council assisted new immigrants, children, and the elderly her in BC. Through their work, these women pushed the boundaries of so-called "women's work", playing out the ambiguities that arose in the years after the Second World War in the form of Second Wave Feminism.
Morris Soskin met Rose Hyams while visiting Montreal for a Zionist convention in 1921. Before he left for his return to Vancouver, the two were engaged. As they counted down the days and hours to their wedding six months later, they wrote 275 letters to one another, expressing their love and longing. Online exhibit.
More than 500 photos and artifacts depict the Jewish experience in Florida since the 18th century, with thematic presentations on community development, discrimination, earning a living, identity, and immigration - the acculturation process to which people of all backgrounds can relate. Personal artifacts, films, photos, timeline and contemporary art attract a universal audience and provide an engaging, up-close museum experience.
The Synagogue Speaks is an original multi-media exhibition in the newly-restored Lloyd Street Synagogue. The Synagogue Speaks tells the story of the landmark synagogue and the three immigrant congregations--two Jewish and one Roman Catholic--that occupied it.
The area surrounding the Jewish Museum of Maryland was the center of immigrant Jewish life in Baltimore in the early 1900s, but today only a few remnants of its Jewish past survive. This exhibition chronicles a place of constant change, where people of different backgrounds lived, worked, created community-and came together in the renowned Jewish market known as Lombard Street.
According to the oral tradition, the Roman emperor Titus, after capturing Jerusalem in September 70 CE, was transporting many Jews to Rome as slaves when his ship was driven by a storm onto the Albanian coast. Instead of throwing his captives into the sea, he allowed them to disembark, and they eventually made their way to the area in which loannina later was established. This exhibit marks the century since Ioannina was incorporated into the Greek state.
A visitor center and permanent exhibition at the Museum at Eldridge Street on New York's Lower East Side integrates Judaica, Yiddish signs, other artifacts, and interactive media displays to tell the story of the 1887 Eldridge Street Synagogue and the immigrant community from which it emerged.
To honor the Holocaust survivors who have volunteered their time over the past thirty years to share their painful WWII experiences at the Museum of Tolerance, the MOT engaged Pulitzer Prize-winning photographer Marissa Roth to photograph each of these ambassadors of memory, hope and tolerance.
Many people know of desegregation as it happened in the American South, but this exhibition shares the story and struggles of Latino families in Southern California almost ten years before Brown v. Board of Education. Covering the history of segregation and discrimination in California that targeted all non-White citizens, in housing, jobs, and schools, the exhibit includes the dramatic story of Mendez v. Westminster and the broad, multi-racial grassroots efforts to end school segregation in rural Orange County and elsewhere.
Inspired by the ancient flood story, which has parallels in hundreds of cultures around the world, this multi-sensory indoor and outdoor attraction invites visitors to board a gigantic wooden ark and to play, climb, build, discover, problem-solve and collaborate alongside handcrafted, one-of-a-kind animals. An innovative, delight-filled destination for children and families of all backgrounds.
The exhibit explores the continuing impact of the most widely distributed antisemitic publication of modern times. Despite countless exposures as a fraud, the myth of a Jewish world conspiracy has retained power for Nazis and others who seek to spread hatred of Jews. Technology has now made the Protocols available via the Internet; it continues to be circulated by those promoting violence, and even genocide.
Jewish art and history museums, historic sites, historical and archival societies, Holocaust centers, children's museums, synagogue museums, community centers, and university galleries · the professionals and volunteers who work in them · the children, adults and families who visit them · the patrons who support them · the organization that keeps them vital.